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Bride's
Well at Imbolc on Lewis - 1989 (Oil on Hardboard)
While
I was in the USA in late summer 1988, doing slideshows
of my art and speaking on the cultures of the Goddess,
I spent a Full Moon day in San Francisco with
African-American Luisah Teish, the Goddess Woundon-priestess
and writer. She is a medium and she communicated in
trance with my sons in the spirit world. I have lost
two sons in the last seven years. My youngest
"dark" son was/is mixed race, his father
African-American. He was killed by a car in August
1985. My oldest and "light" son died from
cancer in July 1987. Both died on a Full Moon. Since
my young sons' deaths I have dwelt in an inbetween
world, neither dead nor truly alive. It is as if my
heart and part of my spirit went with them into the
Otherworld and since then I have dwelt in the shadows.
Luisah however communicated from my oldest son that I
could go no further in my identification with the
ancient Crone/the Dark One except through death itself
and that I must now become like the young maiden of
spring: I must transform myself or die. Wise words
from a wise woman.
When
I returned to England I felt a great need and urge to
travel to the Holy Well of Brigid/Bride on Lewis in
the Outer Hebrides. I wanted to be there at Imbolc
itself when She returns as a young white maiden from
Her dark Mother Cailleach's mountain fastness. She and
her Mother are one, they are as the Lunar Mother in
Her changes. The Lunar Mother who is both dark and
light was always thought to give mind powers and
oracular wisdom, as well as bringing fertility and
growth. Marija Gimbutas says that during the neolithic
period and later, white symbolised death to the dark
Aboriginal peoples of Old Europe; the white of
bleached bones, hair, ashes and snow. Black symbolised
fertility and life, as in the womb where the embryo
grows, the fertile soil in which the seed germinates
during the winter and the luminous nights when visions
and dreams come, when plants grow and wounds heal.
I
travelled there at the end of January, during
snowstorms and blizzards in the Scottish Highlands,
and gales on the Hebrides. I stayed with my friend,
Jill Smith, an Earth Mysteries artist and poet, and
her son Taliesin, then five years old. Together we
traveled in a hired van to where Bride's Well snuggles
in a field near a very wild coastline with ferocious
winds and seas. This is on the west coast of the
island, not far from Callanish stone circle and the
beautiful and powerful Silver Maiden mountain.
We
slept in the van overnight and at dawn next morning in
the rain and wind we waited by the beautiful little
well to welcome Bride, the White Maiden. (There are
numerous legends of a ghost-like spectre of a white
lady seen by many wells).
Later
that day we passed the vibrant stones of Callanish and
then, late at night, the greatest treat of all we saw
the Northern Lights! Almost as if the candles or
torches from Bride's body or head flared across the
skies with great arching white lights. It was truly
wonderful and we were totally awestruck as we stood in
the darkness for hours enchanted by this radiant
presence and proof of the powers of the Maiden Goddess
of spring.
Click
here to see a larger version of the image on this page
in our Monica Sjöö online Art Gallery
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